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The Idea of Love
To live in intimacy with a stranger, not in order to draw him closer, or to make him known, but rather to keep him strange, remote: unapparent so unapparent that his name contains him entirely. And, even in discomfort, to be nothing else, day after day, than the ever open place, the unwaning light in which that one being, that thing, remains forever exposed and sealed off.

Perhaps as you sit or stand or walk around Madley Studio on this first evening of the autumn of 2010 you might reflect on these texts.

Perhaps as you undertake the outward journey from the self to the surface of the earth the increasingly intensifying light of the rising full moon might increase the transparency of your considerations.

Moonlight may even illuminate in part the dynamic animating the
relationship between visible and invisible, and between micro and macro, allowing you a glimpse of the whole.

credits

from journey to the surface of the earth, released March 1, 2010
domenico de clario (grand piano)
janette ho (body)
pier paolo pasolini (projection of ‘the gospel according to st Matthew’-1967’)
stephen whittington (toy piano / grand piano / gong)
tony yap (body)
miles du heaume (location recording and sound production)
mixed at magneto belle studios, melbourne, australia

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domenico de clario VIC, Australia

Domenico de Clario is an interdisciplinary artist, writer, musician and academic.
He was born in Trieste, Italy, in 1947 and migrated to Australia in 1956.
Since 1966 de Clario has presented over 300 exhibitions, installations and sound performances worldwide. He has received numerous grants and residencies, including the Australia Council Fellowship, and has published 5 cds of his music.
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